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PROOFING & APPROVALS

"I never approved that."

ProofScout sends proofs to the advertiser, collects the approval or the changes, and keeps a record of who signed off and when — so that sentence stops costing you a make-good.

A ProofScout queue: six status tiles counting new ads, ads in composing, ads awaiting the sales rep, ads awaiting the advertiser, ads needing changes, and ads ready to publish; a table of proofs by advertiser, description, status and sales rep; and a preview pane showing one ad proof with buttons to request changes or approve it.

Runs on

ProofScout

Route creative through approval

See how the Production Suite works

THE PROBLEM

The one step with real money attached runs on email.

Proof approval is the one step in the process with real money attached to it, and at most publications it runs entirely on email. A PDF goes out. Maybe a reply comes back. Maybe it says "looks good" and maybe it says "looks good, just fix the phone number" — and maybe that reply lands in a rep's inbox on a Friday afternoon and is never seen again.

The ad runs with the wrong phone number. The advertiser says they caught it. The rep says they never heard. Nobody can produce the thread, so the paper eats the cost, and everyone agrees somebody should really keep better track of this.

The deadline pressure makes it worse. On the last day before press, the person chasing approvals is usually the same person doing the pagination.

THE ADVERTISER'S SIDE

Where the approval actually comes from.

The advertiser lands on their own account, sees that a proof is waiting, and responds there. Nothing depends on an attachment being found, or on a reply reaching the right person on a Friday afternoon.

  • Proofs waiting on the advertiser are counted on the account, not chased by phone
  • The response attaches to the ad, where the rep, the designer, and production see it
  • The same place they review invoices and pay, so there is one destination to learn
The Advertiser Portal on a desktop monitor and two phones: an account overview flagging a past-due balance with quick actions for invoices, payments, and proofs; a phone showing the current balance above a Pay Account Balance button; and a phone confirming the payment was received, with the amount, date, card, and confirmation number.

WHAT CHANGES

The approval becomes a record instead of a memory.

  • Proofs go out from the system, not from a personal inbox
  • Approvals and change requests are recorded against the ad and the order
  • Anyone can see which proofs are still outstanding as deadline approaches
  • Revisions are versioned, so the approved proof is unambiguous
  • Disputes are settled by looking at the record instead of arguing about email

HOW IT WORKS

From finished artwork to a signed-off ad.

Every step attaches to the order, so the approval outlives the inbox it would otherwise have lived in.

  1. 1

    The proof leaves the system

    When the artwork is ready, the advertiser gets a proof tied to the actual order — not an attachment someone remembered to send from their own mailbox.

  2. 2

    The advertiser responds in one place

    Approve, or ask for changes. Their response attaches to the ad, where the rep, the designer, and production can all see it.

  3. 3

    Revisions stay in sequence

    Each round is a version. There is no confusion about whether the client approved round one or round three, because the record shows which.

  4. 4

    Outstanding proofs are visible

    Before press, production can see exactly which ads are still waiting on a client and who needs a phone call — instead of reconstructing that list from memory.

  5. 5

    The record persists

    Six weeks later, when someone says they never approved it, the approval and its timestamp are on the order.

PROOF

Before the artwork ever reaches approval, the surrounding workflow is already saving time — one weekly paper cut a single issue's ad and page work from nine hours to five and a half using the Fake Brains production tools.

The figure is from the published PageScout case study; the publication asked to stay anonymous. Proofing sits inside that same production workflow, between the design queue and pagination.

9 → 5.5 hrs
Ad and page work for a single issue, before and after.
8 modules
Connected modules sharing one database, so an approval is visible everywhere it matters.

COMMON QUESTIONS

Questions publishers ask about ad proofing.

The goal is the fewest possible steps for the advertiser, because a proof process that annoys clients does not get used. We will show you exactly what the advertiser sees on a demo call.

See It In Action

Tell us about the last make-good you paid for

Most publishers can name it immediately. We will show you where the approval trail would have caught it.